赵之谦的花鸟画把恽南田的没骨画法与“扬州八怪”的写意画法相结合。特别是汲取李复堂(鳝)小写意的手法,以“南田”设色出之。将清代两大花鸟画流派合而为一,创造出新的风格。由于他书法功力深厚,线条把握精到,以这种富有金石气的笔法勾勒,粗放厚重而妙趣横生。运用各体字体题款,长于诗文韵语,这也是他高出其他清末画家,成为绘画巨匠的一个重要因素。他是诗书画印有机结合的典范。以上海为中心的艺术家们,特别是吴昌硕等新一代受赵之谦影响,逐渐形成了崭新的流派—海派绘画。潘天寿在《中国绘画史》中这样写道:“会稽撝叔赵之谦,以金石书画之趣作花卉,宏肆古丽,开前海派之先河。”事实上,赵之谦的影响不只限于海上,肖俊贤、陈师曾等北派巨匠们也一样受过他的影响。

IMG_0633

IMG_0634

IMG_0635

IMG_0636

IMG_0637

IMG_0638

IMG_0639

IMG_0640

IMG_0641

IMG_0642

IMG_0643

IMG_0644

IMG_0645

IMG_0646

IMG_0647

IMG_0648

IMG_0649

IMG_0650

IMG_0651

IMG_0652

IMG_0653

IMG_0654

IMG_0655

IMG_0656

IMG_0657

IMG_0658

IMG_0659

IMG_0660

IMG_0661

IMG_0662

IMG_0663

IMG_0664 IMG_0665

IMG_0666

IMG_0667

IMG_0668

IMG_0669

IMG_0670

IMG_0671